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Author: Mark Naff

  • Editorials

The Endless Shortage of “Movies For Adults”

  • by Mark Naff
  • Posted on April 12, 2023May 2, 2023
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  • Editorials

The Other Films of Barry Sonnenfeld

  • by Mark Naff
  • Posted on January 11, 2023February 26, 2023
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  • Editorials

How Time Creates a New Meaning

  • by Mark Naff
  • Posted on August 24, 2022July 9, 2023
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  • Editorials

It’s Okay to Just Be Disappointed

  • by Mark Naff
  • Posted on August 8, 2022August 16, 2022
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  • Editorials

Reaching the Final Product: ‘Bounce’

  • by Mark Naff
  • Posted on July 27, 2022August 1, 2022
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Aesthetics Aren’t Genre: ‘You’ve Got Mail’

  • by Mark Naff
  • Posted on March 8, 2022March 13, 2022
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  • Editorials

Some Thoughts For the Holidays

  • by Mark Naff
  • Posted on December 13, 2021December 30, 2021
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  • Editorials

Meeting An Unmet Need: Selling ‘Tremors’ and ‘Arachnophobia’

  • by Mark Naff
  • Posted on October 11, 2021May 22, 2024
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  • Editorials

A Film of Its Time: ‘Yes Man’

  • by Mark Naff
  • Posted on October 4, 2021October 7, 2021
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  • Editorials

A Film of Its Times: ‘How Do You Know’

  • by Mark Naff
  • Posted on September 27, 2021April 28, 2022
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Two Love Triangles with Steve Martin: ‘Roxanne’ and ‘Shopgirl’

  • by Mark Naff
  • Posted on September 20, 2021April 4, 2022
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  • Editorials

The Many Conflicting Visions of Scary Movies

  • by Mark Naff
  • Posted on August 16, 2021September 12, 2023
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  • Editorials

Working into a Feature: ‘Rambo III’ and ‘Countdown’

  • by Mark Naff
  • Posted on August 2, 2021February 5, 2025
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