Editorials The Many Contradictory Lessons of Screenwriting by Mark Naff Posted on January 20, 2021January 30, 2021 Read More
Editorials Movies as Product: The Horror Films of Jeff Wadlow by Mark Naff Posted on December 7, 2020December 27, 2020 Read More
Editorials Should We Show the Monster? by Mark Naff Posted on October 26, 2020January 23, 2021 Read More
Editorials Sleeping with the Groom: ‘A Guy Thing’ and ‘Something Borrowed’ by Mark Naff Posted on October 19, 2020October 28, 2020 Read More
Editorials The Women of American Pie Presents: Role Reversal by Mark Naff Posted on October 12, 2020October 28, 2020 Read More
Editorials ‘Escape Room’: The Movie and Trailer by Mark Naff Posted on October 6, 2020October 28, 2020 Read More
Editorials How the ‘Normal People’ Sex Scenes Direct the Audience’s Attention by Mark Naff Posted on September 1, 2020October 28, 2020 Read More
Editorials Trapped in Time: ‘Passengers’ and ‘Palm Springs’ by Mark Naff Posted on August 31, 2020October 28, 2020 Read More
Editorials Selling Amanda Peet: ‘Whipped’ and ‘A Lot Like Love’ by Mark Naff Posted on August 5, 2020October 28, 2020 Read More
Editorials A Threat to Masculinity: ‘Tomcats’ and ‘Buying the Cow’ by Mark Naff Posted on July 30, 2020November 25, 2020 Read More
Editorials Talking to the Audience: ‘Alfie’ (2004) and ‘Hitch’ (2005) by Mark Naff Posted on June 29, 2020August 14, 2020 Read More
Editorials A Sniper at the Super Bowl: Adapting ‘Two-Minute Warning’ by Mark Naff Posted on May 27, 2020May 30, 2020 Read More
Editorials The Narrative of the Lovable Simpleton: The Mythical Year of 1994 by Mark Naff Posted on May 8, 2020October 28, 2020 Read More
