Selling Amanda Peet: ‘Whipped’ and ‘A Lot Like Love’

A Threat to Masculinity: ‘Tomcats’ and ‘Buying the Cow’

Talking to the Audience: ‘Alfie’ (2004) and ‘Hitch’ (2005)

A Sniper at the Super Bowl: Adapting ‘Two-Minute Warning’

The Narrative of the Lovable Simpleton: The Mythical Year of 1994

The Narrative of the Lovable Simpleton: Self-Actualization in the Late 1970s

The Narrative of the Lovable Simpleton: The Capra Years

Comedies with Consequences: ‘Something Wild’ (1986) and ‘I Served the King of England’ (2006)

Assumptions in Criticism

How Crime Shows Dissect a Case

The Faceless Remakes of Paul Verhoeven

Ridley Scott’s Cops in Strange Lands: ‘Someone to Watch Over Me’ and ‘Black Rain’

‘Hero at Large’ (1980) Review

ScreenAge Wasteland

Author: Mark Naff

Selling Amanda Peet: ‘Whipped’ and ‘A Lot Like Love’

A Threat to Masculinity: ‘Tomcats’ and ‘Buying the Cow’

Talking to the Audience: ‘Alfie’ (2004) and ‘Hitch’ (2005)

A Sniper at the Super Bowl: Adapting ‘Two-Minute Warning’

The Narrative of the Lovable Simpleton: The Mythical Year of 1994

The Narrative of the Lovable Simpleton: Self-Actualization in the Late 1970s

The Narrative of the Lovable Simpleton: The Capra Years

Comedies with Consequences: ‘Something Wild’ (1986) and ‘I Served the King of England’ (2006)

Assumptions in Criticism

How Crime Shows Dissect a Case

The Faceless Remakes of Paul Verhoeven

Ridley Scott’s Cops in Strange Lands: ‘Someone to Watch Over Me’ and ‘Black Rain’

‘Hero at Large’ (1980) Review