Editorials Meeting An Unmet Need: Selling ‘Tremors’ and ‘Arachnophobia’ by Mark Naff Posted on October 11, 2021October 14, 2021 Read More
Editorials A Film of Its Time: ‘Yes Man’ by Mark Naff Posted on October 4, 2021October 7, 2021 Read More
Editorials A Film of Its Times: ‘How Do You Know’ by Mark Naff Posted on September 27, 2021September 28, 2021 Read More
Editorials Two Love Triangles with Steve Martin: ‘Roxanne’ and ‘Shopgirl’ by Mark Naff Posted on September 20, 2021September 27, 2021 Read More
Editorials The Many Conflicting Visions of Scary Movies by Mark Naff Posted on August 16, 2021August 19, 2021 Read More
Editorials Working into a Feature: ‘Rambo III’ and ‘Countdown’ by Mark Naff Posted on August 2, 2021August 5, 2021 Read More
Editorials Some Thoughts on ‘Good Will Hunting’ by Mark Naff Posted on July 12, 2021October 13, 2021 Read More
Editorials Koepp and Bacon: ‘Stir of Echoes’ and ‘You Should Have Left’ by Mark Naff Posted on July 5, 2021October 29, 2021 Read More
Editorials Portrayals of Youth: ‘The Perfect Score’ and ‘Better Luck Tomorrow’ by Mark Naff Posted on June 21, 2021June 24, 2021 Read More
Editorials The Artist is Always Failing: The Unhealthy Nature of Nostalgia by Mark Naff Posted on April 12, 2021October 6, 2021 Read More
Editorials The Artist is Always Failing: Critic’s Choice by Mark Naff Posted on April 5, 2021November 23, 2021 Read More
Editorials The Many Contradictory Lessons of Screenwriting by Mark Naff Posted on January 20, 2021May 28, 2021 Read More
Editorials Movies as Product: The Horror Films of Jeff Wadlow by Mark Naff Posted on December 7, 2020October 6, 2021 Read More
