Should We Show the Monster?

Sleeping with the Groom: ‘A Guy Thing’ and ‘Something Borrowed’

The Women of American Pie Presents: Role Reversal

‘Escape Room’: The Movie and Trailer

How the ‘Normal People’ Sex Scenes Direct the Audience’s Attention

Trapped in Time: ‘Passengers’ and ‘Palm Springs’

Selling Amanda Peet: ‘Whipped’ and ‘A Lot Like Love’

A Threat to Masculinity: ‘Tomcats’ and ‘Buying the Cow’

Talking to the Audience: ‘Alfie’ (2004) and ‘Hitch’ (2005)

A Sniper at the Super Bowl: Adapting ‘Two-Minute Warning’

The Narrative of the Lovable Simpleton: The Mythical Year of 1994

The Narrative of the Lovable Simpleton: Self-Actualization in the Late 1970s

The Narrative of the Lovable Simpleton: The Capra Years

ScreenAge Wasteland

Author: Mark Naff

Should We Show the Monster?

Sleeping with the Groom: ‘A Guy Thing’ and ‘Something Borrowed’

The Women of American Pie Presents: Role Reversal

‘Escape Room’: The Movie and Trailer

How the ‘Normal People’ Sex Scenes Direct the Audience’s Attention

Trapped in Time: ‘Passengers’ and ‘Palm Springs’

Selling Amanda Peet: ‘Whipped’ and ‘A Lot Like Love’

A Threat to Masculinity: ‘Tomcats’ and ‘Buying the Cow’

Talking to the Audience: ‘Alfie’ (2004) and ‘Hitch’ (2005)

A Sniper at the Super Bowl: Adapting ‘Two-Minute Warning’

The Narrative of the Lovable Simpleton: The Mythical Year of 1994

The Narrative of the Lovable Simpleton: Self-Actualization in the Late 1970s

The Narrative of the Lovable Simpleton: The Capra Years