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Author: Mark Naff

  • Editorials

Some Thoughts on ‘Good Will Hunting’

  • by Mark Naff
  • Posted on July 12, 2021October 13, 2021
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  • Editorials

Koepp and Bacon: ‘Stir of Echoes’ and ‘You Should Have Left’

  • by Mark Naff
  • Posted on July 5, 2021March 13, 2022
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  • Editorials

Portrayals of Youth: ‘The Perfect Score’ and ‘Better Luck Tomorrow’

  • by Mark Naff
  • Posted on June 21, 2021June 24, 2021
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  • Editorials

The Artist is Always Failing: The Unhealthy Nature of Nostalgia

  • by Mark Naff
  • Posted on April 12, 2021October 6, 2021
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  • Editorials

The Artist is Always Failing: Critic’s Choice

  • by Mark Naff
  • Posted on April 5, 2021April 28, 2022
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  • Editorials

The Many Contradictory Lessons of Screenwriting

  • by Mark Naff
  • Posted on January 20, 2021May 28, 2021
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  • Editorials

Movies as Product: The Horror Films of Jeff Wadlow

  • by Mark Naff
  • Posted on December 7, 2020October 6, 2021
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  • Editorials

Should We Show the Monster?

  • by Mark Naff
  • Posted on October 26, 2020January 23, 2021
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  • Editorials

Sleeping with the Groom: ‘A Guy Thing’ and ‘Something Borrowed’

  • by Mark Naff
  • Posted on October 19, 2020October 28, 2020
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  • Editorials

The Women of American Pie Presents: Role Reversal

  • by Mark Naff
  • Posted on October 12, 2020October 28, 2020
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  • Editorials

‘Escape Room’: The Movie and Trailer

  • by Mark Naff
  • Posted on October 6, 2020October 28, 2020
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  • Editorials

How the ‘Normal People’ Sex Scenes Direct the Audience’s Attention

  • by Mark Naff
  • Posted on September 1, 2020October 6, 2021
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  • Editorials

Trapped in Time: ‘Passengers’ and ‘Palm Springs’

  • by Mark Naff
  • Posted on August 31, 2020October 28, 2020
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