Editorials Selling Amanda Peet: ‘Whipped’ and ‘A Lot Like Love’ by Mark Naff Posted on August 5, 2020October 28, 2020 Read More
Editorials A Threat to Masculinity: ‘Tomcats’ and ‘Buying the Cow’ by Mark Naff Posted on July 30, 2020November 25, 2020 Read More
Editorials Talking to the Audience: ‘Alfie’ (2004) and ‘Hitch’ (2005) by Mark Naff Posted on June 29, 2020October 6, 2021 Read More
Editorials A Sniper at the Super Bowl: Adapting ‘Two-Minute Warning’ by Mark Naff Posted on May 27, 2020May 30, 2020 Read More
Editorials The Narrative of the Lovable Simpleton: The Mythical Year of 1994 by Mark Naff Posted on May 8, 2020May 20, 2021 Read More
Editorials The Narrative of the Lovable Simpleton: Self-Actualization in the Late 1970s by Mark Naff Posted on May 6, 2020May 20, 2021 Read More
Editorials The Narrative of the Lovable Simpleton: The Capra Years by Mark Naff Posted on May 4, 2020May 20, 2021 Read More
Editorials Comedies with Consequences: ‘Something Wild’ (1986) and ‘I Served the King of England’ (2006) by Mark Naff Posted on April 28, 2020April 30, 2020 Read More
Editorials How Crime Shows Dissect a Case by Mark Naff Posted on April 15, 2020May 22, 2024 Read More
Editorials The Faceless Remakes of Paul Verhoeven by Mark Naff Posted on April 2, 2020September 24, 2020 Read More
Editorials Ridley Scott’s Cops in Strange Lands: ‘Someone to Watch Over Me’ and ‘Black Rain’ by Mark Naff Posted on April 1, 2020April 3, 2020 Read More
